Designed for the 2013 San Francisco Decorator Showcase, this atelier is the refuge of a man who spends his leisure hours restoring treasured objects. The room is an homage to the design craft, its tools, and the priceless pieces created by the masters of the trade. We decorated the room using the three simplest materials available: burlap, steel and recycled wood. Each medium was used in an unexpected manner, creating a refined, luxurious décor. The burlap was applied to the walls, trimmed by black tape and highlighted with more than 2,000 nail heads for texture and visual appeal. The steel, used as flooring material and applied in a chevron tile pattern, gave depth to the floors. Floor borders, desk and floating shelves were made of recycled wood. The walls above the desk display a large collection of antique carpenter planers and are inset with 18th century French prints representing the different trades of the period. Below the desk, a rotating built-in set of red lacquered drawers provides more display for the collection of tools. An eclectic mix of antiques and art decorate the room: a standing Buddha of the Dvaravati Period on a steel stand overlooks the room; several Han and Tang dynasty horses and David Fertig paintings are displayed on the floating shelves; and an interesting mix of chairs provide the final touch—from a cockfight chair used at the desk chair to an antique Louis III French chair used in the reading corner.

Designed for the 2013 San Francisco Decorator Showcase, this atelier is the refuge of a man who spends his leisure hours restoring treasured objects. The room is an homage to the design craft, its tools, and the priceless pieces created by the masters of the trade. We decorated the room using the three simplest materials available: burlap, steel and recycled wood. Each medium was used in an unexpected manner, creating a refined, luxurious décor. The burlap was applied to the walls, trimmed by black tape and highlighted with more than 2,000 nail heads for texture and visual appeal. The steel, used as flooring material and applied in a chevron tile pattern, gave depth to the floors. Floor borders, desk and floating shelves were made of recycled wood. The walls above the desk display a large collection of antique carpenter planers and are inset with 18th century French prints representing the different trades of the period. Below the desk, a rotating built-in set of red lacquered drawers provides more display for the collection of tools. An eclectic mix of antiques and art decorate the room: a standing Buddha of the Dvaravati Period on a steel stand overlooks the room; several Han and Tang dynasty horses and David Fertig paintings are displayed on the floating shelves; and an interesting mix of chairs provide the final touch—from a cockfight chair used at the desk chair to an antique Louis III French chair used in the reading corner.

Designed for the 2013 San Francisco Decorator Showcase, this atelier is the refuge of a man who spends his leisure hours restoring treasured objects. The room is an homage to the design craft, its tools, and the priceless pieces created by the masters of the trade. We decorated the room using the three simplest materials available: burlap, steel and recycled wood. Each medium was used in an unexpected manner, creating a refined, luxurious décor. The burlap was applied to the walls, trimmed by black tape and highlighted with more than 2,000 nail heads for texture and visual appeal. The steel, used as flooring material and applied in a chevron tile pattern, gave depth to the floors. Floor borders, desk and floating shelves were made of recycled wood. The walls above the desk display a large collection of antique carpenter planers and are inset with 18th century French prints representing the different trades of the period. Below the desk, a rotating built-in set of red lacquered drawers provides more display for the collection of tools. An eclectic mix of antiques and art decorate the room: a standing Buddha of the Dvaravati Period on a steel stand overlooks the room; several Han and Tang dynasty horses and David Fertig paintings are displayed on the floating shelves; and an interesting mix of chairs provide the final touch—from a cockfight chair used at the desk chair to an antique Louis III French chair used in the reading corner.

This 1891 house located in San Francisco’s historical Dogpatch district was in very poor condition and required a total renovation. As I bought it to be my home, I decided to maintain the Victorian detailing while giving the interiors a contemporary feeling. I first restored all the woodwork and ceiling medallions, all the while matching the original. The original fireplace tile was removed, cleaned and reinstalled. A new steel custom fireplace surround replaced the original wood one. The overall décor is eclectic and reveals my story: I was born in Portugal, raised in Brazil and lived in Asia for more than 10 years. The house contains a mix of family pieces, furniture and artwork collected over the years. The living room tends towards a classic aesthetic, using a family steamer trunk as a coffee table. The second parlor is modern, featuring a pair of Papa Bear chairs by Hans Wagner in front of a black-and-white canvas by Howie Keck. On the opposite wall, seven Han Dynasty stickmen peer down from their perches. In the kitchen, the original 1948 O’Keefe & Merritt stove was kept as the focal point and steel industrial shelving was added for storage. A new nine foot steel table, centered in the room, is used as an island counter as well as a dining table. The guest bedroom, with twin beds and walls covered in linen, has a collection of prints by Alexander Calder, creating a neutral palate. On the other hand, the master bedroom is bold and dramatic, painted with a custom red. Above the bed hangs a painting, “Casal Textura” by Rubens Gerchman. The garden was transformed into a tropical oasis with king palms and a large sitting area with deep banquettes. Cobblestones and granite pieces originally used on Dogpatch streets add a local feel to the design.

Antonio martins posted 2 images to Dogpatch Residence


Antonio martins posted 2 images to Dogpatch Residence


Antonio martins posted 2 images to Dogpatch Residence


Antonio martins posted 2 images to Dogpatch Residence


This 1891 house located in San Francisco’s historical Dogpatch district was in very poor condition and required a total renovation. As I bought it to be my home, I decided to maintain the Victorian detailing while giving the interiors a contemporary feeling. I first restored all the woodwork and ceiling medallions, all the while matching the original. The original fireplace tile was removed, cleaned and reinstalled. A new steel custom fireplace surround replaced the original wood one. The overall décor is eclectic and reveals my story: I was born in Portugal, raised in Brazil and lived in Asia for more than 10 years. The house contains a mix of family pieces, furniture and artwork collected over the years. The living room tends towards a classic aesthetic, using a family steamer trunk as a coffee table. The second parlor is modern, featuring a pair of Papa Bear chairs by Hans Wagner in front of a black-and-white canvas by Howie Keck. On the opposite wall, seven Han Dynasty stickmen peer down from their perches. In the kitchen, the original 1948 O’Keefe & Merritt stove was kept as the focal point and steel industrial shelving was added for storage. A new nine foot steel table, centered in the room, is used as an island counter as well as a dining table. The guest bedroom, with twin beds and walls covered in linen, has a collection of prints by Alexander Calder, creating a neutral palate. On the other hand, the master bedroom is bold and dramatic, painted with a custom red. Above the bed hangs a painting, “Casal Textura” by Rubens Gerchman. The garden was transformed into a tropical oasis with king palms and a large sitting area with deep banquettes. Cobblestones and granite pieces originally used on Dogpatch streets add a local feel to the design.

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